Los Jaivas are a Chilean band we’ve been listening to a lot
here. They’ve been playing music since before the dictatorship. One of their
songs “Todos Juntos” is a Chilean anthem. So much so that during the Allende
government, it was played before the nightly news. One part goes “Si vivimos todos separados, ¿para que son el
cielo y el mar? ¿Para que es el sol que nos alumbra si no nos queremos ni
mirar?” If we live separately, then why have the sky and the sea? For what
is the sun that illuminates us, if we don’t love each other and look at each
other? That’s kind of a clumsy translation as I’m rereading it now, but some
really nice ideas. I’ve especially been fixated on the idea of looking at
people. The power of looking. So frequently I ride the micros or the metro or I
walk on the sidewalks teeming with people and I’ve been realizing lately that I
had often managed to do those things without even looking at the people
next to me. Sometimes it’s easier that way. But I think Los Jaivas are right, a
fundamental part of creating a community, of fostering collective empathy and
respect, is really looking at the people around you. And it’s pretty easy to
do. But since I’ve started doing it, I’ve realized that it’s also kind of rare,
especially in a city as crowded as Valpo.
Two Sundays ago I went to a funeral for Exequiel Borvarán.
He was 19 years old and shot in the street near the Plaza Victoria two Thursdays
ago. There was a lot of confusion. Apparently, Exequiel had been spray painting
the side of a building with a political message, or maybe gluing up posters.
The landlords’ son came outside and shot him and Diego Guzmán, age 25. Exequiel
was a member of Centro Cultural Roberto
Matta. We never personally met, but Carlos and the other kids I work with
knew him really well. Like many of the kids in the Centro Cultural, he was into circus arts: juggling, Diablo, things
like that. In the photo of him that’s been circulating in the media, he’s got
this huge smile and he’s wearing a clown nose. There were hundreds of people at
the funeral. It was in this little modest chapel in Quilpué, and there were
more people gathered outside than could fit inside. When we first arrived there
was this older man standing by himself in the midst of everyone wearing a
really nice, well-fitting suit, carrying a bouquet of fresh flowers, eyes kind
of distant, face drawn. Wearing a bright red clown nose. It was bizarre. And so
sad. I don’t know if I’ve ever seen anything like it. A lot of the people at
the funeral wore clown noses. And they were crying and solemn. I don’t know
exactly why but to me, it exactly communicated the feeling of losing someone
too early, someone who shouldn’t have died. It was perverse almost, in a really
powerful, beautiful way.
I’m living with a new family now, and they are wonderful. My
host-mom is a beautiful actress who is smart, giving, exuberant. I have two
host siblings as well, both very kind, and smart. So much has happened since I
moved, I don’t know how to write it all down. Last weekend Bridget and I went
north to Valle del Huasco to help with flood recovery there. We met a 73 year
old man, Don Domingo, who is still working on his land sunrise to sunset every
day. His hands are so tough that he was able to coil barbed wire without
gloves. His wife has Alzheimer’s and stays inside watching TV most of the day.
He takes care of her really well though. It was cool to see that.
A few weekends ago our group went on an excursion to
Santiago to visit all the memorials of the dictatorship. It was a heavy,
impactful day. We visited a torture site, listened to testimonies, visited the
massive grave site of people executed. But, the two most powerful things, I’d
say, were seeing an exhibit of the victims’ personal items: a tie, a camera, a
letter, a faded photograph of a missing man holding his baby. And also a video
of a woman who’s husband was killed arguing with police as she tries to lay
flowers in a public square as a tribute to him. Her son was with her and he was
11 and his face looked so lost.
My host mom and I went to a play about mothers who had lost
their children a while ago. There was one part, kind of the climax of grief,
where all the actresses playing the children unfurled sacks full of glass
marbles and let all the marbles fall and scatter across the stage. The noise
lasted for what felt like a really long time. Shortly afterward, a little boy,
the only real child in the piece, walked onto the stage wearing all red and
began to blow bubbles. Bubbles are so beautiful and light and silent and
weightless. Especially compared to marbles. Cool image. The other day I was
walking home and I saw a bright yellow butterfly flying along the sidewalk in
the middle of the business and grime of Calle Condell and Subida Ecuador. It
made me feel kind of the same way as the bubbles.
